The geek caste system
February 22, 2010 Anime & Manga, Comics, Culture, Games, Movies, Television No CommentsOut of the blue, I remembered a conversation I had with a friend of mine a while back about a regional comic book/scifi/fantasy/gaming convention she had attended. (No, it wasn’t the Bi-Mon-Sci-Fi-Con.) I asked her how the show went upon her return, and she replied that it was mediocre; there weren’t many dealers or booths, and the crowd was mainly “lower-caste geeks.” I wasn’t quite sure what that term meant, so I asked for more details. She told me this group was composed of stereotypically overweight anime fangirls and World of Warcraft obsessives.
Now, this post is not meant to claim that my friend is somehow an elitist for placing one group of geeks below another; her “lower-caste” term was clearly meant as a joke, as she was just fishing for a funny term to describe the crowd. (She’s a comic book cosplay nerd herself, so she didn’t really “fit in” with most of the other patrons.) Instead, I want to examine an interesting trend that’s been growing exponentially in geek circles over the past decade: subdivision of the overall geek crowd into smaller groups (a caste system, if you will), the game of one-upmanship that accompanies this behavior, and the absolute irony of the entire process.
Heated debates between geeks is nothing new; you could trace ‘em all the way back to Star Trek versus Star Wars arguments in the late 1970s, and I’m sure there were Flash Gordon diehards who disliked John Carter of Mars even further back. However, what bound everyone together was their love of the source material, and in the end, that was all that was important. In recent years, that common bond has been eroding, and the geeks have no one to blame but themselves.
With growing frequency, geeks are cramming one another into a caste system of their own making. My friend’s joke nonwithstanding, this is a very real and serious situation: geeks in one group are demonizing the other, but not out of the good-natured rivalry seen in the past. Geek subcultures literally hate each other now, and often consider certain groups “beneath” them as far as the nerdy social strata are concerned.
This is the colossal irony I spoke of. Geeks and nerds have always complained that they’re a misunderstood and maligned social group, shunned by the rest of the world. Well, look at what they’re doing with this caste system: the exact same thing! So, not only are they maligned as a whole, they’re actively pushing some of their own peers even lower down the social scale, making the entire problem even worse. How fucked up is that?
The Internet has certainly contributed to the caste system in a big way; just as it has brought nerds together, it also drives mountainous wedges between them. Case and point: video game console flame wars, which have gotten far uglier than even the famous Sega and Nintendo rivalry in the early 1990s. Now, we’ve got entire sites and forums devoted to elevating one nerdy hobby while bashing another. All this truly accomplishes is making geeks look even worse in the eyes of everyone else!
I’ve always been of the mind that you shouldn’t hate an entire group; just specific people inside said group that personally piss you off. For example, I can’t stand all of that Twilight shit, and I think the fan fervor over it is incredibly annoying…but I have friends who are into it, and I’d never consider myself “better” than them as a result.
Having said that, if a Twilight diehard nearly knocks me down at the bookstore in their frenzy to score yet another generic young adult novel, they’re going to get an earful of rage.

At any rate, Saturday Anime was my first exposure to many anime films and original video animation (OVAs) from the 1980s and 1990s, such as Demon City Shinjuku, Armitage III, Ghost in the Shell, 8Man After, Lensman, Vampire Hunter D, Robot Carnival, and Ninja Scroll. Prior to that, my only real experience with anime was stuff that had been mixed and matched for a US release, like Robotech and Voltron, or shows that were only partly produced by Japanese studios, like Mighty Orbots and Ulysses 31. (Of course, I’d also heard of Sailor Moon and the like, but that wasn’t my cup of tea.) In fact, I’d say that Saturday Anime was directly responsible for turning me into a fan of the genre. Don’t worry, I’m not one of
For example, I recently picked up TokyoPop’s Battlestar Galactica: Echoes of New Caprica. It’s yet another one of their OEL (original English language) manga anthologies, featuring stories from a variety of creators. However, unlike their other manga, for example, the BSG volume is physically larger…and the price is a few dollars higher! Adding insult to injury is the fact that the page count is actually lower than most of their other manga. So now you’re getting less content for a higher price! That’s incredibly irritating. (I should also note that their regular manga volumes have increased in price by a dollar, but that’s unfortunately the reality of the business world.)