More talk about metal! Today’s subject is Metallica’s 1991 album Metallica, popularly known as “the black album.”
Back when it was first released, I had it on cassette, and listened to it so much that I wore it out. I even bought all of the cassette singles, as they had kickass B-side covers of songs like Queen’s “Stone Cold Crazy.” When I bought my first CD player in 1992, I got the black album from the library and renewed it constantly until I could afford to buy my own copy. (Hey, CDs were expensive back then!) Even though the band fell out of my favor in the late 1990s, the black album has remained the Metallica record I’ve listened to the most.
The black album was considered by the music press to reflect a more “mainstream metal” sound, but it didn’t bug me. Even though it was a slight shift away from the hard-driving thrash found on the previous four records, the record still had some serious fucking barnburners. My favorites included “Holier Than Thou,” “The Unforgiven,” and “The Struggle Within,” though it’s really hard to choose. Every damned track was awesome, if you ask me. I could do a track-by-track breakdown, but I don’t want to bore you. (I’m sure I do enough of that already.) Suffice it to say that I listened to the black album so damned much that every single riff on the black album is ingrained into my psyche like a stone carving. It’s very possible I’ve played this record more than any other, regardless of genre.
Even with metal on its way out of the mainstream in the early 1990s, Metallica was the one band that metalheads universally loved. As with other forms of rock and roll, there were always metal fans that only stuck with underground bands, claiming any band with some semblance of success was automatically a “sellout.” Metallica was a huge exception; I didn’t know a single headbanger that hated ‘em.
That is, of course, until Load showed up. Like every other metalhead on the face of the planet, I was stoked at the thought of a new Metallica record after the spectacle of the black album, and I actually cut class to run out and buy Load on release day.
Oh, if only I had known.
Saying I was disappointed is putting it lightly; I was fucking pissed. Yes, I was one of those kids who dubbed them “Alternica.” Load and its equally crappy followup Reload seriously dampened my fandom, and after the Napster debacle a few years later, I wrote Metallica off completely for a while. Yes, piracy is wrong, but that’s no excuse to insult your fans, which is exactly what some of the band members did. Lars Ulrich and James Hetfield were such arrogant douchebags for a while that I couldn’t even stomach Metallica’s older material!
Even fans who stuck with Metallica through the Load and Reload era are hard-pressed to defend the abominable St. Anger. Metallica’s most recent album Death Magnetic was a marked improvement, but the poor production and awful vocals are still a far cry from what the band was once capable of.
As with most things, my stance on the Load era has softened with time. Even though most of those songs were just godawful, I’m no longer filled with rage over Metallica’s fall from grace; I just ignore their post-black album material, as I do with plenty of other bands’ less than stellar offerings.
Holy shit, I went off on a tangent. Let’s bring things back to the point. For whatever reason, I’ve been listening to the black album a lot lately. The songs still hold up, and brought back many memories of just losing myself in the riffs during my early teenage years. I remember watching the many videos from the album on MTV at the time; it’s strange to think that the bandmembers were younger at the time than I am now!
Strangely enough, I’ve heard a lot of retrospective black album bashing over the past ten years. Maybe it’s because post-black album Metallica has fallen so far, but I still don’t get it. The old stuff still stands the test of time. Speaking of which, the black album turned twenty this year, so it’s yet another thing that makes me feel old. Damn it!